The article is about lenses that have a field of view of a 35mm lens on a full frame camera. It specifically states that the 50mm field of view on a full-frame is too narrow for the author's taste. The 35mm 1.8 DX Nikon is the same field of view as a 50mm lens on a full-frame, so it's too narrow.
For street photography, when comparing the 35mm vs 28mm focal lengths, the 28mm is the better choice. For portraits, the 35mm lens comes out on top. For landscape photography, the 28mm lens works better on a full-frame camera, while the 35mm lens works better on a crop sensor camera. Picking between lenses with similar focal lengths can be a
There is no single standard called Super 35mm. Cinematographers, traditionally, never use the term âfull frameâ unless theyâre looking for a fight. They also donât use the term âSuper 35mmâ by itself simply because there are different versions like 4-perf, 3-perf, 2-perf and so on. They would have to get more specific than that.
The so-called "normal" range of prime lenses consists of 28mm, 35mm and 50mm. All three are great, all three offer distinct feelings and it does ultimately come down to personal choice. As you might expect, 28mm offers a lot more of the "scene," where 50mm gets in quite a bit and feels a lot "tighter." 35mm is a happy medium.
If youâre having trouble visualizing that, just remember that 90 degrees is a right angle, so, a 50mm prime is almost half that, and a 35mm is right in between. (By the way, a 90-degree angle of view would be about a 21mm lens.) 35mm vs 50mm on a Crop Sensor. Of course, if you have a cropped sensor, the effective angle of view changes.
Perhaps the main difference in the 35 mm vs. 50 mm debate is price. In this head-to-head match, 35 mm lenses cost far more. For eg, where you can find a Nikon 50 mm f/1.4 lens for about $450 brand new, a Nikon 35 mm f/1.4 len s runs about $900. Where you can get around, however, is buying pre-owned lenses. For example, the Nikon-fit Sigma 35 mm
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lensa 35mm vs 50mm
